The uppercase is actually expanded letterforms causing some eyes and breathing paths to the very condensed and very modular glyphs, which creates a quite interesting striped texture between form, counterform and spacing.The lots of ligatures come to give it more closure between the letters, when they try to form blank spaces. The font was first made for a magazine project in design school, making it beautiful on giant pages headlines, billboards, signs, etc.There’s no lowercase, the character set is dramatic and objective. Tambau is a display typeface crafted by Matheus “Fio” Gonçalves, a Brazilian design student, still in college, inspired by Brazilian concert urban posters and wood type that I saw at the Oficina Tipográfica São Paulo. With five weights, a stencil version, and oblique styles for each, this 12-font family is ready and capable for any project. Additionally, the family is packed with a set of 11 discretionary ligatures that can be used as ordinals, buzzwords, and more (These options can be found under “Stylistic Sets” and “Discretionary Ligatures” in the “OpenType” window respectively).VTF Gladius supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili, and Swedish. By default, these angular embellishments are disabled for standard styles and enabled for oblique styles. This phenomenon is even more apparent in oblique styles.Select letterforms also feature “speed cuts”, which are a customizable OpenType feature for the VTF Gladius family. This unconventional decision alludes to penmanship, with the lower strokes pooling the majority of the ink, creating a nice “bounce” that gives the letter that much more personality. This draws the eye through the letterform, left-to-right, making every word feel more dynamic.Further reinforcing the dynamic, the southernmost horizontal in each letterform is 10% thicker than the others. In circular characters, this sensation is demonstrated throughout the use of offsetting 45-degree corners and intersections built into the counters. ![]() Like many others, this display typeface began as an experiment of implementing characteristics that otherwise would be absent in a traditional chiseled athletic block face.VTF Gladius implements a system of angles and junctions in its letterforms that generate a distinct clockwise visual rhythm. VTF Gladius is the latest typographic endeavor from VarsityType. Aglet Mono is a typeface for people who make stuff, whether headlines or software.Related families: Aglet Sans, Aglet SlabProduction assistants: Mitja Miklavčič, Teja Smrekar Its atmosphere is distinctly industrial and technical, but also unstudied and ad hoc. Minimal Extra Light resembles a wireframe of the characters, and the vocabulary of shapes grows increasingly diverse as the weights approach the bulky embrace of Ultra.A display face at heart, Aglet Mono also translates well to the more intimate, routine demands of code. ![]() Extroverted f, j, r, and t fill their allotted space with curious hooks, and a brazen g supports the calculated weirdness of some of the other glyphs.Aglet Mono includes a set of useful symbols and comes in fourteen styles, like its relatives Aglet Slab and Aglet Sans. ![]() Clever strategies offset the lopsided spatial artifacts produced by a monospaced design: the dented sides of A, V, W, v, and w compensate for the absence of kerning. Round architecture informs Aglet Mono, tempering its rigorous, fixed-width rhythm.
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